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Humber College rounded out their year-end screenings last Thursday with a showcase of their 2nd year students in the three year Film and Television Production program. Students were tasked with creating 5-10 minute dramas all taking place in an environment that’s constructed from a studio set.
The coordinators who introduced the program of the night mentioned they had four weeks to storyboard, cast, build the set, and shoot the piece. Some pieces were all set in one spot while a number of others featured various locations, meaning they had to tear down and reconstruct another set within their production period.
As expected, most of the program featured character pieces, such as Mia by Andrea Zuniga-Farias and New Ink written by Alissandre Terriah. The Art of Losing is more atmospheric, highlighting the production design aspects of the assignment in contrast to Mood Candles with its minimalistic look to place emphasis on the zany character-driven situation. One highlight of the program is The Pubescent Panic of Peter Patterson, a comedy by Amy Allison and Brandon Hurd that allows the production designers to be creative with their assignment. It's also one of the few occasions where I thought an over-the-top narrative style worked in favour of a student film.
Considering how well filmmakers handled the material, I can’t wait to see what they can do when they’re given a bit more freedom in their third and final year of the program.
-Henry
The coordinators who introduced the program of the night mentioned they had four weeks to storyboard, cast, build the set, and shoot the piece. Some pieces were all set in one spot while a number of others featured various locations, meaning they had to tear down and reconstruct another set within their production period.
As expected, most of the program featured character pieces, such as Mia by Andrea Zuniga-Farias and New Ink written by Alissandre Terriah. The Art of Losing is more atmospheric, highlighting the production design aspects of the assignment in contrast to Mood Candles with its minimalistic look to place emphasis on the zany character-driven situation. One highlight of the program is The Pubescent Panic of Peter Patterson, a comedy by Amy Allison and Brandon Hurd that allows the production designers to be creative with their assignment. It's also one of the few occasions where I thought an over-the-top narrative style worked in favour of a student film.
Considering how well filmmakers handled the material, I can’t wait to see what they can do when they’re given a bit more freedom in their third and final year of the program.
-Henry
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Last week, Sheridan College rounded out their year-end screenings for the Media Arts and Bachelor of Film and Television programs. I checked out the work by students from all three years of the programs and was impressed by the skill on display, which only seems to grow as students spend more time at Sheridan and learn more about their craft.
All three screening nights took place at Oakville’s Film.ca Cinemas and the filmmakers’ excitement about seeing their work on the big screen was palpable. Backed by an audience full of friends, family, and faculty, the first-year students in the new Film and Television program (which has now replaced the Media Arts program) were first to show off their work. Their night mostly showcased two-minute scenes shot around campus. Many filmmakers tackled relationship issues that commonly face college students, including scenes about one-night stands, crushes, and quarrelling couples.
The second night of screenings offered short films from the second-year Media Arts students. The packed program included a variety of styles, including music videos, experimental films, and mock PSAs. Many of the night’s narrative films took a grim or satirical approach, including No News, directed by Luke Dante. His film was a darkly funny tale with a sprinkling of magical realism that turned out to be one of my favourites of the night. Meanwhile, the more broadly comedic Lost Sleep, a humorous take on a simple misunderstanding between roommates, testified to the fact that – when executed well – a simple premise can be powerful.
Last week’s third-year screening was similarly diverse, giving the students a chance to show off their capstone projects for the program. The longer run-times of the films highlighted the unique viewpoint all of the filmmakers developed during their studies. This was evident in films like Spoiler, directed by Sarah R. Thomson and Austin Birch, a madcap and inventive cautionary tale about our reliance on technology.
The Toronto Youth Shorts team has been busy checking out screenings around the GTA, and I was excited to get a taste of what local student filmmakers have been up to this year. The Sheridan filmmakers certainly didn’t disappoint.
- Colleen
All three screening nights took place at Oakville’s Film.ca Cinemas and the filmmakers’ excitement about seeing their work on the big screen was palpable. Backed by an audience full of friends, family, and faculty, the first-year students in the new Film and Television program (which has now replaced the Media Arts program) were first to show off their work. Their night mostly showcased two-minute scenes shot around campus. Many filmmakers tackled relationship issues that commonly face college students, including scenes about one-night stands, crushes, and quarrelling couples.
The second night of screenings offered short films from the second-year Media Arts students. The packed program included a variety of styles, including music videos, experimental films, and mock PSAs. Many of the night’s narrative films took a grim or satirical approach, including No News, directed by Luke Dante. His film was a darkly funny tale with a sprinkling of magical realism that turned out to be one of my favourites of the night. Meanwhile, the more broadly comedic Lost Sleep, a humorous take on a simple misunderstanding between roommates, testified to the fact that – when executed well – a simple premise can be powerful.
Last week’s third-year screening was similarly diverse, giving the students a chance to show off their capstone projects for the program. The longer run-times of the films highlighted the unique viewpoint all of the filmmakers developed during their studies. This was evident in films like Spoiler, directed by Sarah R. Thomson and Austin Birch, a madcap and inventive cautionary tale about our reliance on technology.
The Toronto Youth Shorts team has been busy checking out screenings around the GTA, and I was excited to get a taste of what local student filmmakers have been up to this year. The Sheridan filmmakers certainly didn’t disappoint.
- Colleen
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Mustard-flavoured popcorn and jazz music set up the scene for the 10th annual Toronto Student Film Festival on April 17th this year. The festival took place in the newly revitalized Innis Town Hall, the heart of Innis College and a vital space for Toronto’s film scene. The newly renovated facilities were clean-cut, modern, and overall, impressive!
The festival’s lineup contained many pieces from our home territory of Canada, as well as many others from the international landscape. All the films in this festival were fantastic and we really wish that we could incorporate them all into our own festival. In the end our favourite was Tanabata by Annie Amaya, a film and animation student at Concordia University. This film also won the Award for Best Animation at the festival. Tanabata was a short and sweet film that retold the story of the classic Japanese myth through stop animation and digital animation. Tanabata, also known as the Star Festival, celebrates the meeting of the deities Orihime, the Vega star, and Hikoboshi, the Altair star. In summary: Orihime, the daughter of Tentei, wove beautiful clothes by the bank of the Amanogawa (otherwise known as the heavenly river) and since her father loved the cloth she wove, she worked extremely hard each day weaving the cloth. However, she became sad; because of her hard work, she would never meet and fall in love with anyone. Tentei was concerned or his daughter and arranged for her to Hikoboshi, a cow herder that lived on the other side of the Amanogawa. It was love at first sight and the happy couple married shortly thereafter. But problems quickly arose; Orihime became distracted and no longer wove cloths for Tentei, whereas Hikoboshi allowed his cows to stray all over Heaven. This angered Tentei and separated the couple, forbidding them from ever seeing each other again. Both became depressed because of the separation. With tears in her eyes, Orihime begged her father to let them meet again. Tentei was moved by his daughter’s tears and gave the two permission to meet again on two conditions: they only meet on the 7th day of the 7th month and she had to finish her weaving. Sadly though, they couldn’t cross the Amanogawa the first time they tried to meet because there was no bridge. Orihime shed so many tears that a flock of magpies offered to make a bridge with their wings so they could cross the river. This film shared the heartbreaking moment in which the two were separated due to stormy skies and rain.
Some of the other films screened definitely deserve another round of applause! The Deceased, directed by Nastasia Pappas-Kemps, told the comedic story of a suicidal 9-year-old. The young girl reminisced about how much she enjoyed living, but could not wait to leave because she had been here for so long. Birthday Boy, a black and white film that gave off a Tim Burton-like vibe, also stood out. The short had an extremely interesting story line and great cinematography. Other standout films include Two Idiots In a Boat, Such Morning Songs, and Beneath The Cotton Cloud.
And, we’re so excited for our friends at the Toronto Student Film Festival, who are completely re-branding for their second decade of existence! Starting next year, the organization will take on a new name “Take 21”, as well as begin workshops and educational programs with schools across the country. So drop by next year and take a look! The films were sweet, sad, comedic, inspiring, and most importantly filled with raw talent. And besides, who can resist free popcorn?
-Anna
The festival’s lineup contained many pieces from our home territory of Canada, as well as many others from the international landscape. All the films in this festival were fantastic and we really wish that we could incorporate them all into our own festival. In the end our favourite was Tanabata by Annie Amaya, a film and animation student at Concordia University. This film also won the Award for Best Animation at the festival. Tanabata was a short and sweet film that retold the story of the classic Japanese myth through stop animation and digital animation. Tanabata, also known as the Star Festival, celebrates the meeting of the deities Orihime, the Vega star, and Hikoboshi, the Altair star. In summary: Orihime, the daughter of Tentei, wove beautiful clothes by the bank of the Amanogawa (otherwise known as the heavenly river) and since her father loved the cloth she wove, she worked extremely hard each day weaving the cloth. However, she became sad; because of her hard work, she would never meet and fall in love with anyone. Tentei was concerned or his daughter and arranged for her to Hikoboshi, a cow herder that lived on the other side of the Amanogawa. It was love at first sight and the happy couple married shortly thereafter. But problems quickly arose; Orihime became distracted and no longer wove cloths for Tentei, whereas Hikoboshi allowed his cows to stray all over Heaven. This angered Tentei and separated the couple, forbidding them from ever seeing each other again. Both became depressed because of the separation. With tears in her eyes, Orihime begged her father to let them meet again. Tentei was moved by his daughter’s tears and gave the two permission to meet again on two conditions: they only meet on the 7th day of the 7th month and she had to finish her weaving. Sadly though, they couldn’t cross the Amanogawa the first time they tried to meet because there was no bridge. Orihime shed so many tears that a flock of magpies offered to make a bridge with their wings so they could cross the river. This film shared the heartbreaking moment in which the two were separated due to stormy skies and rain.
Some of the other films screened definitely deserve another round of applause! The Deceased, directed by Nastasia Pappas-Kemps, told the comedic story of a suicidal 9-year-old. The young girl reminisced about how much she enjoyed living, but could not wait to leave because she had been here for so long. Birthday Boy, a black and white film that gave off a Tim Burton-like vibe, also stood out. The short had an extremely interesting story line and great cinematography. Other standout films include Two Idiots In a Boat, Such Morning Songs, and Beneath The Cotton Cloud.
And, we’re so excited for our friends at the Toronto Student Film Festival, who are completely re-branding for their second decade of existence! Starting next year, the organization will take on a new name “Take 21”, as well as begin workshops and educational programs with schools across the country. So drop by next year and take a look! The films were sweet, sad, comedic, inspiring, and most importantly filled with raw talent. And besides, who can resist free popcorn?
-Anna
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I had the pleasure of volunteering with TIFF Kids this weekend, and was happy to see how engaged these young film buffs were with the festival. I was working at the Passport Bureau, a new initiative where kids receive a passport to keep track of how many films they see. I was amazed to see that on the opening weekend, some kids had already seen 3 films, and were planning on seeing more. It was great to see how excited these youngsters were about catching as many festival films as they could, especially since the caliber of these films is a lot higher than the average Hollywood kids film.
Many of the films focus on different cultures and lifestyles, such as Landfill Harmonic (Graham Townsley), a documentary about children who live on a landfill site in Paraguay and make a living by selling recycled items from the trash. The programming also features films which do not shy away from revealing the diverse struggles that youth face today, such as Hear Me, a series of shorts that deal with issues such as growing up transgendered and facing discrimination from classmates in a new country. I am glad to see that Torontonians are being exposed to such thought-provoking films at a young age.
Another component of the festival which I admire is the TIFF Kids Young People’s Jury. Every year, TIFF selects a jury of ages 8-13 to attend the films at TIFF Kids and select the winners of The Young People’s Jury Award for Best Feature Film and Best Short Film. As a programmer for Toronto Youth Shorts, I am thrilled to see this opportunity for young kids to develop their love of film, and critical thinking skills in such a sophisticated way. If these kids aspire to work in the film industry, TIFF is giving them a great head start!
I am looking forward to volunteering again at TIFF Kids this coming weekend to share in the excitement of these young and cultured film fans!
-Julia
Many of the films focus on different cultures and lifestyles, such as Landfill Harmonic (Graham Townsley), a documentary about children who live on a landfill site in Paraguay and make a living by selling recycled items from the trash. The programming also features films which do not shy away from revealing the diverse struggles that youth face today, such as Hear Me, a series of shorts that deal with issues such as growing up transgendered and facing discrimination from classmates in a new country. I am glad to see that Torontonians are being exposed to such thought-provoking films at a young age.
Another component of the festival which I admire is the TIFF Kids Young People’s Jury. Every year, TIFF selects a jury of ages 8-13 to attend the films at TIFF Kids and select the winners of The Young People’s Jury Award for Best Feature Film and Best Short Film. As a programmer for Toronto Youth Shorts, I am thrilled to see this opportunity for young kids to develop their love of film, and critical thinking skills in such a sophisticated way. If these kids aspire to work in the film industry, TIFF is giving them a great head start!
I am looking forward to volunteering again at TIFF Kids this coming weekend to share in the excitement of these young and cultured film fans!
-Julia
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I had the chance to volunteer with TIFF Kids this past weekend and was amazed as always by the quality of the films on offer and the level of audience engagement. One of the most rewarding parts of the festival each year is seeing how diverse youth-oriented films from around the world can really be—and how different cultures value youth engagement with the arts. As film fans and filmmakers alike know, it’s possible to create sophisticated, high-quality work for all audiences.
TIFF Kids has even succeeded in creating loyal fan bases for some international franchises, such as the German Famous Five series and Denmark’s Antboy. During Sunday’s Q+A with Famous Five director Mike Marzuk, the audience demonstrated passion and interest on par with the most seasoned festival crowd. And based on the quality of questions and technical knowledge in the crowd, I think it’s safe to say there were a lot of future filmmakers in attendance.
TIFF Kids will continue through April 19.
-Paul
TIFF Kids has even succeeded in creating loyal fan bases for some international franchises, such as the German Famous Five series and Denmark’s Antboy. During Sunday’s Q+A with Famous Five director Mike Marzuk, the audience demonstrated passion and interest on par with the most seasoned festival crowd. And based on the quality of questions and technical knowledge in the crowd, I think it’s safe to say there were a lot of future filmmakers in attendance.
TIFF Kids will continue through April 19.
-Paul
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Yesterday I attended the Women in Film and Television Toronto (WIFT-T) Showcase at The Royal. Eight short films by WIFT-T members were screened, a mix of work by emerging talent and established professionals. It was great to see some familiar faces, including Heidi Tao Yang (TYS2014 jury member), Alison Rheaume (My Brother's Keeper, TYS2011), who now works with WIFT-T and Elaine Poon (EXT 5683 L-O-V-E, TYS2009), who showed her most recent short, Entrain, at the event.
One of the evening's highlights included Lines by Amy Jo Johnson who also stars and reunites with her Flashpoint co-star, Enrico Colantoni in shiny plastic makeup playing a sleazy dermatologist who tries to sell Johnson on his botox injections. One of the producer of Lines is Jessica Adams, (The Highwayman, TYS2009). Arranged by Renuka Jeyapalan stars Anne Blythe from the webseries Space Janitors and is a light-hearted take on the dreaded tale of relationship woes and the need to find companionship and love. Emily Piggford returns to the frosty screens of the CFC in Slater Jewell-Kemker's Still, who continues to impress with her range. Given Your History by Molly McGlynn is a poignant portrayal of familial love and loss starring Katie Boland from Reign.
The shorts were diverse in content and the one thing I was personally pleasantly surprised about was that it didn't beat you over the head with "female themes" for the lack of a better term. While most of the shorts centered around a female protagonist, the stories would be equally effective if the genders were reversed. It's nice to see universal stories like these that celebrate a particular community without the need to emphasize how different they are.
If you're in the industry and are looking for a supportive network that aids in your career development as a filmmaker, consider becoming a member of WIFT-T. They also have student rates available. Perhaps you can have your work shown alongside some of these big names at next year's showcase.
-Henry
One of the evening's highlights included Lines by Amy Jo Johnson who also stars and reunites with her Flashpoint co-star, Enrico Colantoni in shiny plastic makeup playing a sleazy dermatologist who tries to sell Johnson on his botox injections. One of the producer of Lines is Jessica Adams, (The Highwayman, TYS2009). Arranged by Renuka Jeyapalan stars Anne Blythe from the webseries Space Janitors and is a light-hearted take on the dreaded tale of relationship woes and the need to find companionship and love. Emily Piggford returns to the frosty screens of the CFC in Slater Jewell-Kemker's Still, who continues to impress with her range. Given Your History by Molly McGlynn is a poignant portrayal of familial love and loss starring Katie Boland from Reign.
The shorts were diverse in content and the one thing I was personally pleasantly surprised about was that it didn't beat you over the head with "female themes" for the lack of a better term. While most of the shorts centered around a female protagonist, the stories would be equally effective if the genders were reversed. It's nice to see universal stories like these that celebrate a particular community without the need to emphasize how different they are.
If you're in the industry and are looking for a supportive network that aids in your career development as a filmmaker, consider becoming a member of WIFT-T. They also have student rates available. Perhaps you can have your work shown alongside some of these big names at next year's showcase.
-Henry
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Yesterday the TYS team visited Hart House to attend the 13th Annual University of Toronto Film Fest, and saw 17 short films, as well as a few film installations housed in a separate room. The films ranged from 40 seconds to 20 minutes long, and took many forms. The night started off with a music video by Sean van Wert, set to the song "Angelitos Negros" by Victoria Falana, and ended with the Annual Farm Project 2014 - a 2-minute film created in 48 hours by the Hart House Film Board on a summer visit to the Hart House Farm.
One of the main trends we noticed was the reflective documentary. The three films in particular along this theme, were: Loving Large directed by Theresa Bonello, Return to Narbutta Street directed by Ottie Lockey, and Gentle Giant directed by Fatan AlFaraj. Loving Large was a short doc that took us through the life of a woman who went through a drastic gastric band surgery, lost 150 lbs., and experienced issues managing her relationships as her appearance changed. The second in this group of films, was Return to Narbutta Street - a reflective, biographical piece which followed Eve Zaremba as she revisited her childhood home in Warsaw for the first time in 75 years. This film touched on what it might be like to have to abandon your home during war, and how bittersweet it would be to return to a changed city. Gentle Giant directed by Fatan AlFaraj was a melancholy, yet hopeful look at a family marking the 9th anniversary of their husband and father's death. This film acted as a video memorial to a much-loved family member, and was especially poignant because of the openness of the three family members, who didn't shy away from discussing the experience.
Overall, we were especially impressed with Satan's Dolls, a 20-minute epic about a con-woman who escapes the police by hiding in a convent. Director Carlo Schefter included many callbacks to other horror films, and injected humour throughout, making this the film with the best audience response. It was also the most stylistically unique and consistent.
In the coming weeks, our team will be visiting more film screenings and seeing what each school has to offer!
Our final submission deadline is May 1 - reach out to us on Facebook or Twitter with any questions or comments! We'd love to hear from you.
-Alex
One of the main trends we noticed was the reflective documentary. The three films in particular along this theme, were: Loving Large directed by Theresa Bonello, Return to Narbutta Street directed by Ottie Lockey, and Gentle Giant directed by Fatan AlFaraj. Loving Large was a short doc that took us through the life of a woman who went through a drastic gastric band surgery, lost 150 lbs., and experienced issues managing her relationships as her appearance changed. The second in this group of films, was Return to Narbutta Street - a reflective, biographical piece which followed Eve Zaremba as she revisited her childhood home in Warsaw for the first time in 75 years. This film touched on what it might be like to have to abandon your home during war, and how bittersweet it would be to return to a changed city. Gentle Giant directed by Fatan AlFaraj was a melancholy, yet hopeful look at a family marking the 9th anniversary of their husband and father's death. This film acted as a video memorial to a much-loved family member, and was especially poignant because of the openness of the three family members, who didn't shy away from discussing the experience.
Overall, we were especially impressed with Satan's Dolls, a 20-minute epic about a con-woman who escapes the police by hiding in a convent. Director Carlo Schefter included many callbacks to other horror films, and injected humour throughout, making this the film with the best audience response. It was also the most stylistically unique and consistent.
In the coming weeks, our team will be visiting more film screenings and seeing what each school has to offer!
Our final submission deadline is May 1 - reach out to us on Facebook or Twitter with any questions or comments! We'd love to hear from you.
-Alex
- Published on
We'll be releasing our full lineup this Wednesday but here is a sneak preview of what's in store for the 2014 festival.
Criterion - directed by Dylan Vogel
An experimental film on with how restrictive our personal notions of failure and embarrassment can be.
Forever and Two Days - directed by Elene Mekete
After a not-so-recent breakup, Blayne's friends force her to go out with them on a Saturday night, promising an unforgettable weekend.
Frida and Dingwall Talk About Love - directed by Amika Cooper
Two creatures explore their relationship and reflect honestly on the connection they share. No fluff, no romance, just love.
Hit Me - directed by Alex Chung
A man is confronted and must fight for the woman he loves.
Jessie MacAlpine: A Story of Youth and Science - directed by Nicole Cedic
A young Canadian science prodigy has recently discovered an inexpensive treatment for Malaria that she has filed for patent.
Parked - directed by Myles Milne
After the death of their mother, two sisters struggle with the event in completely different ways.
Criterion - directed by Dylan Vogel
An experimental film on with how restrictive our personal notions of failure and embarrassment can be.
Forever and Two Days - directed by Elene Mekete
After a not-so-recent breakup, Blayne's friends force her to go out with them on a Saturday night, promising an unforgettable weekend.
Frida and Dingwall Talk About Love - directed by Amika Cooper
Two creatures explore their relationship and reflect honestly on the connection they share. No fluff, no romance, just love.
Hit Me - directed by Alex Chung
A man is confronted and must fight for the woman he loves.
Jessie MacAlpine: A Story of Youth and Science - directed by Nicole Cedic
A young Canadian science prodigy has recently discovered an inexpensive treatment for Malaria that she has filed for patent.
Parked - directed by Myles Milne
After the death of their mother, two sisters struggle with the event in completely different ways.
- Published on
Today is the opening of the Toronto International Film Festival, whose back to kick things off for the fall season. Despite being one of the world's biggest film festivals attended by a lot of high profile directors, producers, and stars, let's not forget that a festival at the end of the day is about the films. And TIFF is never short on work from homegrown emerging talent.
TIFF has once again partnered with an online video platform to bring you their Short Cuts Canada program. Once the shorts have premiered at TIFF, you can view them on their Vimeo page. There are six Short Cuts Canada programs and they even introduced an international batch of short films this year as well.
So if you're looking to watch something short and sweet until Toronto Youth Shorts comes along, go check it out!
TIFF has once again partnered with an online video platform to bring you their Short Cuts Canada program. Once the shorts have premiered at TIFF, you can view them on their Vimeo page. There are six Short Cuts Canada programs and they even introduced an international batch of short films this year as well.
So if you're looking to watch something short and sweet until Toronto Youth Shorts comes along, go check it out!
- Published on
Next Friday, June 13th, marks the beginning of the Toronto Animation Arts Festival International (TAAFI), an event which is as sweet as its name! TAAFI celebrates the art of animation from all over the world. I am happy to say that I will be volunteering once again for TAAFI, especially since this year’s festival is holding many exciting events, including the Animation Arts Maarket, a screening of brand new Mickey Mouse Shorts, and an exclusive Q&A with the creators of Phineas and Furb!
The event I am most excited about is the Student Shorts showcase, which is being co-presented by Toronto Youth Shorts, and featuring animated shorts from across the globe, including Canada, Hungary and South Africa! This year’s line-up reflects the unique ability of animation to present the world from an endless array of perspectives, which cannot be portrayed as well through live action. For example, the film Amoeba (Bronwyn Horne) presents the isolation of a single-celled organism; Ramus (Danica Parry) follows a tree branch separated from its mother tree; and then there is Backwards Cat Goes to the Vet (Tanya Kozak) a strange phenomenon which can only be conveyed through animation!
So whether you are an avid animation fan, or are just looking for a new appreciation of this art form, check out Student Shorts on June 15th, 4:30 p.m. at George Brown College (Waterfront Campus). Visit the TAAFI website for the full line-up of Student Shorts. Don’t forget to check out the rest of the website for the full schedule of Screenings, Parties and Workshops!
-Julia
The event I am most excited about is the Student Shorts showcase, which is being co-presented by Toronto Youth Shorts, and featuring animated shorts from across the globe, including Canada, Hungary and South Africa! This year’s line-up reflects the unique ability of animation to present the world from an endless array of perspectives, which cannot be portrayed as well through live action. For example, the film Amoeba (Bronwyn Horne) presents the isolation of a single-celled organism; Ramus (Danica Parry) follows a tree branch separated from its mother tree; and then there is Backwards Cat Goes to the Vet (Tanya Kozak) a strange phenomenon which can only be conveyed through animation!
So whether you are an avid animation fan, or are just looking for a new appreciation of this art form, check out Student Shorts on June 15th, 4:30 p.m. at George Brown College (Waterfront Campus). Visit the TAAFI website for the full line-up of Student Shorts. Don’t forget to check out the rest of the website for the full schedule of Screenings, Parties and Workshops!
-Julia